GO HOME
Visit European Gallery



       Prev  1  2  3  4  5  6  7  8  9  10   Next
 
 
Prev Artist       Next Artist     

Jean-Auguste Dominique Ingres Portrait of Mlle.Riviere oil painting


Portrait of Mlle.Riviere
Painting ID::  2033
Jean-Auguste Dominique Ingres
Portrait of Mlle.Riviere
1805 Musee d'Orsay, Paris

   
   
     

Jean-Auguste Dominique Ingres Portrait of Mme.Riviere oil painting


Portrait of Mme.Riviere
Painting ID::  2034
Jean-Auguste Dominique Ingres
Portrait of Mme.Riviere
1805 Musee d'Orsay, Paris

   
   
     

Jean-Auguste Dominique Ingres Portrait of M.Philibert Riviere oil painting


Portrait of M.Philibert Riviere
Painting ID::  2035
Jean-Auguste Dominique Ingres
Portrait of M.Philibert Riviere
1805 Musee d'Orsay, Paris

   
   
     

Jean-Auguste Dominique Ingres Bonaparte as First Consul oil painting


Bonaparte as First Consul
Painting ID::  2036
Jean-Auguste Dominique Ingres
Bonaparte as First Consul
1804 Musee des Beaux Arts, Liege

   
   
     

Jean-Auguste Dominique Ingres The Ambassadors of Agamemnon in the Tent of Achilles oil painting


The Ambassadors of Agamemnon in the Tent of Achilles
Painting ID::  2037
Jean-Auguste Dominique Ingres
The Ambassadors of Agamemnon in the Tent of Achilles
1801 Ecole des Beaux Arts, Paris

   
   
     

       Prev  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

     Related Artists::.
     | Juan Leon Palliere | Willam Bartram | Hildegard of Bingen |


IntoFineArt Co,.Ltd.